[et_pb_section fb_built=”1″ custom_padding_last_edited=”on|phone” _builder_version=”4.27.4″ _module_preset=”default” background_image=”https:\/\/remassuri.at\/wp-content\/uploads\/2025\/04\/Bildschirmfoto-2025-04-01-um-16.16.08.png” custom_padding=”180px||180px||true|false” custom_padding_tablet=”120px||120px||true|false” custom_padding_phone=”60px||60px||true|false” hover_enabled=”0″ collapsed=”on” global_colors_info=”{}” alt=”Vier Wiener Concert Schrammeln” title_text=”Bildschirmfoto 2025-04-01 um 16.16.08″ sticky_enabled=”0″][\/et_pb_section][et_pb_section fb_built=”1″ _builder_version=”4.27.4″ _module_preset=”default” background_color=”#f69e18″ custom_margin=”||||true|false” custom_padding=”0px||0px||true|false” collapsed=”on” global_colors_info=”{}”][et_pb_row custom_padding_last_edited=”on|phone” _builder_version=”4.27.4″ _module_preset=”default” custom_margin_tablet=”||||true|false” custom_margin_phone=”||||true|false” custom_margin_last_edited=”on|tablet” custom_padding=”20px||5px||false|false” custom_padding_tablet=”15px||15px||true|false” custom_padding_phone=”15px||15px||true|false” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.27.4″ _module_preset=”default” global_colors_info=”{}”][et_pb_heading title=”Neue Wiener Concert Schrammeln & Guests” _builder_version=”4.27.4″ _module_preset=”default” title_font=”cy-regular|600|||||||” title_text_align=”center” title_text_color=”#61145a” title_font_size=”40px” custom_margin_tablet=”” custom_margin_phone=”||||false|false” custom_margin_last_edited=”on|phone” custom_padding=”||5px||false|false” custom_padding_tablet=”” custom_padding_phone=”||||false|false” custom_padding_last_edited=”on|phone” title_font_size_tablet=”34px” title_font_size_phone=”28px” title_font_size_last_edited=”on|phone” global_colors_info=”{}”][\/et_pb_heading][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ _builder_version=”4.27.4″ _module_preset=”default” min_height=”813.8px” collapsed=”off” global_colors_info=”{}”][et_pb_row _builder_version=”4.27.4″ _module_preset=”default” custom_padding=”||0px|||” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.27.4″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.27.4″ _module_preset=”default” text_font=”cy-regular||||||||” text_text_color=”#600058″ text_font_size=”18px” custom_margin=”||||false|false” custom_margin_tablet=”||||false|false” custom_margin_phone=”||||true|false” custom_margin_last_edited=”on|phone” custom_padding=”||||false|false” custom_padding_tablet=”||||false|false” custom_padding_phone=”||||true|false” custom_padding_last_edited=”on|phone” text_font_size_tablet=”16px” text_font_size_phone=”16px” text_font_size_last_edited=”on|phone” global_colors_info=”{}”]<\/p>\n
There\u2019s likely no more authentic and resonant expression of the true Viennese soul than Schrammel music.<\/strong> More than a century later, it is the Neue Wiener Concert Schrammeln<\/em> who carry this tradition into the world. For the past thirty years, these Viennese musicians have reimagined their musical heritage\u2014from Japan to Colombia\u2014while proudly donning the elegant old Viennese frock coat. Tr\u00e8s chic.<\/p>\n Six musicians form the heart of this new Schrammel sound: They have performed with some of Austria\u2019s most celebrated musicians and actors: Willi Resetarits, Karl Markovics, Traude Holzer, Konstanze Breitebner, Karlheinz Hackl, Wolfgang B\u00f6ck, Robert Meyer, Elfriede Ott \u2013 just to name a few.<\/p>\n And of course, Andr\u00e9 Heller, who invites them and their guests to the stage in Remassuri<\/em>.<\/p>\n Austrian journalist and author Otto Brusatti once described the effect of the Neue Wiener Concert Schrammeln<\/em> like this: Neue Wiener Concert Schrammeln & Guests<\/strong> Photo \u00a9 Stephan Mussil<\/p>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":" There\u2019s likely no more authentic and resonant expression of the true Viennese soul than Schrammel music.Grumbling, wistful, lively, melancholic, and full of Schm\u00e4h (Viennese wit), it has enchanted listeners since […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":" [et_pb_section fb_built=\"1\" custom_padding_last_edited=\"on|phone\" _builder_version=\"4.27.4\" _module_preset=\"default\" background_image=\"https:\/\/remassuri.at\/wp-content\/uploads\/2025\/02\/NWCS@RINGSTRASSE20140621c2014www.stephanmussil.atNR_.005-scaled.jpg\" custom_padding=\"180px||180px||true|false\" custom_padding_tablet=\"120px||120px||true|false\" custom_padding_phone=\"60px||60px||true|false\" hover_enabled=\"0\" collapsed=\"on\" global_colors_info=\"{}\" title_text=\"NWCS+@RINGSTRASSE+20140621+c2014+www.stephanmussil.at++NR.005\" sticky_enabled=\"0\"][\/et_pb_section][et_pb_section fb_built=\"1\" _builder_version=\"4.27.4\" _module_preset=\"default\" background_color=\"#f69e18\" custom_margin=\"||||true|false\" custom_padding=\"0px||0px||true|false\" collapsed=\"on\" global_colors_info=\"{}\"][et_pb_row custom_padding_last_edited=\"on|phone\" _builder_version=\"4.27.4\" _module_preset=\"default\" custom_margin_tablet=\"||||true|false\" custom_margin_phone=\"||||true|false\" custom_margin_last_edited=\"on|tablet\" custom_padding=\"20px||5px||false|false\" custom_padding_tablet=\"15px||15px||true|false\" custom_padding_phone=\"15px||15px||true|false\" global_colors_info=\"{}\"][et_pb_column type=\"4_4\" _builder_version=\"4.27.4\" _module_preset=\"default\" global_colors_info=\"{}\"][et_pb_heading title=\"Neue Wiener Concert Schrammeln & G\u00e4ste\" _builder_version=\"4.27.4\" _module_preset=\"default\" title_font=\"cy-regular|600|||||||\" title_text_align=\"center\" title_text_color=\"#61145a\" title_font_size=\"40px\" custom_margin_tablet=\"\" custom_margin_phone=\"||||false|false\" custom_margin_last_edited=\"on|phone\" custom_padding=\"||5px||false|false\" custom_padding_tablet=\"\" custom_padding_phone=\"||||false|false\" custom_padding_last_edited=\"on|phone\" title_font_size_tablet=\"34px\" title_font_size_phone=\"28px\" title_font_size_last_edited=\"on|phone\" global_colors_info=\"{}\"][\/et_pb_heading][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=\"1\" _builder_version=\"4.27.4\" _module_preset=\"default\" collapsed=\"off\" global_colors_info=\"{}\" min_height=\"813.8px\"][et_pb_row _builder_version=\"4.27.4\" _module_preset=\"default\" global_colors_info=\"{}\" custom_padding=\"||0px|||\"][et_pb_column type=\"4_4\" _builder_version=\"4.27.4\" _module_preset=\"default\" global_colors_info=\"{}\"][et_pb_text _builder_version=\"4.27.4\" _module_preset=\"default\" text_font=\"cy-regular||||||||\" text_text_color=\"#600058\" text_font_size=\"18px\" custom_margin=\"||||false|false\" custom_margin_tablet=\"||||false|false\" custom_margin_phone=\"||||true|false\" custom_margin_last_edited=\"on|phone\" custom_padding=\"||||false|false\" custom_padding_tablet=\"||||false|false\" custom_padding_phone=\"||||true|false\" custom_padding_last_edited=\"on|phone\" text_font_size_tablet=\"16px\" text_font_size_phone=\"16px\" text_font_size_last_edited=\"on|phone\" global_colors_info=\"{}\"]<\/p> Es gibt wohl keinen authentischeren und klingenderen Ausdruck der Urwiener Seele als die Schrammelmusik. Raunzend, wehm\u00fctig, beschwingt, melancholisch und voller Schm\u00e4h, bezaubert sie seit dem 19. Jahrhundert, als die Br\u00fcder Schrammel sie anno dazumal im Wiener Heurigen zum Leben erweckt hatten.<\/p> \u00dcber ein Jahrhundert sp\u00e4ter sind es nun die Neuen Wiener Concert Schrammeln, die die Schrammelmusik in die ganze Welt spielen. Seit drei\u00dfig Jahren f\u00fchren die Wiener Musiker ihr Erbgut von Japan bis Kolumbien in neuem musikalischen Gewand weiter \u2013 auch wenn sie dabei, tr\u00e8s chic, den edlen alten Wiener Gehrock tragen.<\/p> Sechs Musiker bilden den Kern dieser neuen Schrammeln: Peter Uhler, Nikolai Tunkowitsch und Johannes Fleischmann spielen die Violine, Helmut Thomas Stippich und Walther Soyka die Knopfharmonika, Peter Havlicek die Kontragitarre. So traten und treten sie mit den besten Musiker*innen und Schauspieler*innen des Landes auf: Willi Resetarits, Karl Markovics, Traude Holzer, Konstanze Breitebner, Karlheinz Hackl, Wolfgang B\u00f6ck, Robert Meyer, Elfriede Ott \u2013 um nur einige zu nennen.<\/p> Und nat\u00fcrlich Andr\u00e9 Heller, der sie in Remassuri mit ihren G\u00e4sten auf die B\u00fchne bittet.<\/p> Der \u00f6sterreichische Journalist und Autor Otto Brusatti beschrieb die Wirkung der Neuen Wiener Concert Schrammeln so: \u201eDie Menschen vor ihnen, mit ihnen, an ihren CDs und im selben Raum sind gl\u00fccklich, verzagt, aufgeganselt, verst\u00f6rt, himmelhochjauchzend, langsam schwer alkoholbezogen, schwimmend in Musik und zutiefst seelisch gef\u00e4hrdet.\u201c Daraus folgerte er, dass sie verboten geh\u00f6rten. Wurden sie aber nicht. Zum Gl\u00fcck!<\/p> Neue Wiener Concert Schrammeln & G\u00e4ste:\u00a0<\/strong><\/p> Gesang-Dudeln:<\/strong>\u00a0Tini\u00a0Kainrath, Maria Stippich, Marlene Jansch\u00fctz, Constanze Hojsa<\/p> Violine:<\/strong> Peter Uhler, Johannes Fleischmann, Theresa Aigner, Julia Brunner, Magdalena Schlatterbeck<\/p> Harmonika:<\/strong>\u00a0Helmut T. Stippich, Walther Soyka, Andreas Teufel, Lukas Seifried<\/p> Kontragitarre:<\/strong>\u00a0Peter Havlicek, Paul Seifried<\/p> Foto (c) Stephan Mussil<\/span><\/p> [\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p> \u00a0<\/p>","_et_gb_content_width":"","_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"class_list":["post-27634","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/remassuri.at\/en\/wp-json\/wp\/v2\/pages\/27634","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/remassuri.at\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/remassuri.at\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/remassuri.at\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/remassuri.at\/en\/wp-json\/wp\/v2\/comments?post=27634"}],"version-history":[{"count":7,"href":"https:\/\/remassuri.at\/en\/wp-json\/wp\/v2\/pages\/27634\/revisions"}],"predecessor-version":[{"id":27885,"href":"https:\/\/remassuri.at\/en\/wp-json\/wp\/v2\/pages\/27634\/revisions\/27885"}],"wp:attachment":[{"href":"https:\/\/remassuri.at\/en\/wp-json\/wp\/v2\/media?parent=27634"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
Grumbling, wistful, lively, melancholic, and full of Schm\u00e4h<\/em> (Viennese wit), it has enchanted listeners since the 19th century, when the Schrammel brothers first brought it to life in the rustic wine taverns of Vienna.<\/p>\n
Peter Uhler, Nikolai Tunkowitsch, and Johannes Fleischmann on violin;
Helmut Thomas Stippich and Walther Soyka on the Viennese button accordion;
and Peter Havlicek on the contraguitar.<\/p>\n
“Those before them, with them, listening to their CDs, or simply sharing the same room, are happy, anxious, aroused, disturbed, overjoyed, increasingly tipsy, floating in music, and deeply emotionally endangered.”<\/em>
He concluded they ought to be forbidden.
They weren\u2019t. Thankfully!<\/p>\n
\n
Vocals & Yodeling<\/strong>: Tini Kainrath, Maria Stippich, Marlene Jansch\u00fctz, Constanze Hojsa
Violin<\/strong>: Peter Uhler, Johannes Fleischmann, Theresa Aigner, Julia Brunner, Magdalena Schlatterbeck
Accordion<\/strong>: Helmut T. Stippich, Walther Soyka, Andreas Teufel, Lukas Seifried, Miroslav Jankech
Contraguitar<\/strong>: Peter Havlicek, Paul Seifried<\/p>\n